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Walter Benjamin et le XIXe siècle aujourd’hui

Walter Benjamin & the 19th Century Today/Walter Benjamin et le XIXe siècle aujourd’hui

Colloque international organisé par Jean-Michel Gouvard (Université de Bordeaux Montaigne)

à l’Institute of Modern Languages Research (School of Advanced Study, University of London),

en collaboration avec Textes / Littératures: Ecritures et Modèles (EA 4195, Université de Bordeaux Montaigne)

Date: 12 et 13 Décembre 2019

Lieu: Institute of Modern Languages Research, Senate House

Conférenciers invités :

Pr Michael W. Jennings (Princeton University)

Pr Marc Berdet (University of Brasilia)

La langue du colloque est l’anglais.

 

Programme

12 December 2019

(09:30-09:45) Registration

(09:45-10:00) Welcome

(10:00-11:15) Session 1

Carola Borys (University of Siena & University of Paris 3): ‘Kitsch and the 19th century’s “passion for masks”’

Francisco Camêlo (Pontifical Catholic University of Rio de Janeiro): ‘Toys, miniatures and old children’s books’

Christoph Schmitt-Maaß (University of Munich & University of Potsdam): ‘Signs and Wounds. Walter Benjamin’s Reading of Tattoos between Art, Kitsch, and Language’

(11:15-11:30) Coffee break

(11:30-12:45) Parallel session 1

Panel 1A

Bassiri Tabrizi Artin (École des Hauts Études en Sciences Sociales, Paris): ‘Through the mirror: The dialectic of mirroring in Benjamin’s Passagenwerk’

Erik Granly Jensen (University of Southern Denmark): ‘Infrastructure and Communication Technology in the Arcades Project’

Nina Kochekovskaia (Poletayev Institute for Theoretical and Historical Studies in the Humanities): ‘London, the “Capital of 19th century”: the city as allegory in Sweeney Todd and Benjamin’s theory of kitsch’

Panel 1B

Jiani Fan (Princeton University): ‘Antiquity and Modernity at a Standstill. Analysis of Walter Benjamin’s Allegoric image and Dialectic image through Charles Baudelaire’

Martin Mees & Natacha Pfeiffer (Saint-Louis University, Brussels): ‘The Ruin of the World? Walter Benjamin Reading Baudelaire’

Bruna Della Torre (University of São Paulo): ‘Marcel Proust’s À la recherche du temps perdu and the critical theories of Walter Benjamin and Theodor W. Adorno’

(12:45-14:00) Lunch

(14:00-15:15) Keynote speaker 1

Michael W. Jennings (Princeton University): ‘Baudelaire and the Will to Apokatastasis’

(15:15-16:30) Parallel session 2

Panel 2A

Peter Zusi (University College London): ‘Thomas de Quincey: A Prose-Poet in the Era of High Capitalism’

Victor Guerrero Apráez (Pontificia Universidad Javeriana, Bogotá): ‘Ghosts and Specters: rereading Henry James through Benjamin’s Gaze’

Ambra Celano (International University of Language and Medias, Milano): ‘Benjamin’s influence over Brecht’s Kriegsfibel’

Panel 2B

Nicola Alessio Sarracco (Berlin Free University): ‘The influence of Benjamin’s Romanticism’

Wolfgang Bock (Federal University of Rio de Janeiro): ‘Benjamin and Kierkegaard’

Djamel Benkrid (Université de Paris VIII): ‘Benjamin and Nietzsche’s question of being/language: Two tragic destinies’

(16:30-16:45) Coffee break

(16:45-18:00) Session 2

Susan Reynolds (British Library): ‘Benjamin, Kracauer, Adorno: past, present, future’

Alexis A. Chausovsky (Universidad Nacional de Entre Ríos & Universidad Autónoma de Entre Ríos, Argentina): ‘Walter Benjamin and Siegfried Kracauer: towards a dialogue on gambling and temporality in the Ninetieth century’

Robert Pursche (University of Basel): ‘Archivists in the Library? How Benjamin’s 19th century survived through the catastrophic 20th century’

 

13 December 2019

(09:45-10:00) Welcome

(10:00-11:15) Session 3

Robert Krause (University of Freiburg): ‘On the Verge. The transformation of leisure into idleness in Baudelaire and Benjamin’

Danielle Esther Levinas (University of Paris 4): ‘The jumping tiger: allegory and deformation of time, language and narrative’

Sofia Cumming (University of East Anglia): ‘Walter Benjamin’s modern mythologies & the possibility of an awakened history’

(11:15-11:30) Coffee break

(11:30-12:45) Parallel session 3

Panel 3A

Sara Giguère (University of Montréal): ‘Double or quits: ludification of the economy’

Fernando Araujo Del Lama (University of São Paulo): ‘Walter Benjamin’s phantasmagoria haunts the 21st century: social media and Trump/Bolsonaro elections in perspective’

Enrico Campo (University of Corsica): ‘Degradation of attention? A critical analysis through Walter Benjamin’

Panel 3B

Anna Crofts (Stockholm University): ‘Charged distance: The “as ifs” of romantic irony and Benjamin’s aura’

Christophe David (University of Rennes 2): ‘Thinking Utopia with Walter Benjamin and William Morris: Reflections on Utopia as a Standstill or Rest in the Wake of Miguel Abensour’

Joris Verheijen (Rotterdam Erasmus University): ‘Brushing Bildung against the Grain: Walter Benjamin and the German Tradition of Self-Cultivation’

(12:45-14:00) Lunch

(14:00-15:15) Keynote speaker 2 

Marc Berdet (University of Brasilia): ‘Brasilia as a Capital of the 20th Century. A Benjaminian perspective on the modernist city’

(15:15-16:30) Parallel session 4

Panel 4A

Fernando Augusto Bee Magalhães (University of Campinas): ‘Benjamin’s diagnoses of modernity’

Judith Bordes (Université Bordeaux-Montaigne): ‘Boredom and Erlebnis: paradoxical diagnostics on modernity?’

Mariana Pinto dos Santos (New University of Lisbon): ‘Dreaming the past: revisiting the concept of aura after Jacques Rancière’s critique of Walter Benjamin’

Panel 4B

Tony Phelan (Keble College, Oxford): ‘Syncretism and substitution: overcoming 19th century literary history’

Karolina Jesien (University of Nottingham): ‘Innervation as Revolutionary Collective Expression. Walter Benjamin and the Body Politic’

Emile Fromet de Rosnay (University of Victoria): ‘High-speed melancholy: Benjamin, dromology, and the open air of history’

(16:30-16:45) Coffee break

(16:45-18:00) Session 4

Clemens-Carl Härle (University of Siena): ‘Benjamin with Manet’

Hélène Orain (University of Paris 1): ‘Walter Benjamin: A photographic thought of the 19th century out of time’

Gustavo Racy (University of Antwerp): ‘Promises of future, failures of the present. Thinking Walter Benjamin’s 19th century today through the works of two photographers of the epoch’

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27/11/2019

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