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Nineteenth-Century French Studies

Nineteenth-Century French Studies vol. 48, nos. 1-2, Fall-Winter 2019-20, 2019

Description :

The Editorial Board of Nineteenth-Century French Studies is pleased to announce the publication of volume 48 numbers 1–2 (Fall–Winter 2019–20). In addition to an Incipit dialogue between Marie-Pierre Le Hir and Guillaume Pinson about the present and future of literary and cultural studies, the issue includes a range of articles and reviews that highlight the breadth of the discipline: from noise, ghosts, landscapes, and aliens to Black Atlantic humanism, queer heterosexuality, Zionism, gardens, and photography. As such, it continues the journal’s longstanding tradition of covering the full range of studies of nineteenth-century French literature and related fields.

Image of current issue

A full table of contents is below and also online at www.ncfs-journal.org.

All of the journal’s book reviews from this volume are accessible online and without subscription. In addition, the web site offers complete archives of the journal’s publications since it began in 1972: table of contents from every issue, abstracts of all of the articles, and all of the book reviews published online. Finally, the web site also provides complete information about all aspects of the journal’s activities.

Bonne lecture et bonne visite,

Nineteenth-Century French Studies

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Nineteenth-Century French Studies volume 48, numbers 1–2 / Fall–Winter 2019–20

Contents

INCIPIT

Marie-Pierre Le Hir et Guillaume Pinson
Incipit: L’Évolution du savoir et des sciences culturelles au XXIe siècle

Marie-Pierre Le Hir
Les Études culturelles françaises: espace des possibles

Guillaume Pinson
Pour des études “globales” de la littérature et de la culture françaises du dix-neuvième siècle

Conversation

ARTICLES

Eliza Jane Smith
Dissonant Voices: Noise and the Criminal Leitmotiv in Vidocq and Victor Hugo

Éléonore Reverzy
Que s’est-il passé en 1816? Lecture de La Vieille Fille de Balzac: Essai de gynéco-histoire

Simon Rogghe
“La Sibylle” as Ghost Work in Hugo’s La Fin de Satan

Katherine Lunn-Rockliffe
The Incorporation of Thought in Victor Hugo’s “Le Satyre”

Julia Caterina Hartley
The Medieval and the Modern in Baudelaire’s “À une passante”

Joseph Acquisto
Styles of Life, Poéthique, and Irony in Charles Baudelaire

Darci Gardner
Landscapes and Perceptual Distortions in Proust

Christina Lord
Facing the Science-Fictional Other: Human-Alien Contact in J.H. Rosny aîné’s Les Xipéhuz

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REVIEWS

N.B. In agreeing to publish a review with Nineteenth-Century French Studies, authors retain the copyright to their review and give Nineteenth-Century French Studies the right to first publication of that review. (effective September 2014)

FASHIONABLE ART

Lerner, Jillian. Graphic Culture: Illustration and Artistic Enterprise in Paris, 1830–1848
Alexandre Bonafos

De Young, Justine, editor. Fashion in European Art: Dress and Identity, Politics and the Body, 1775–1925
Heidi Brevik-Zender

Lees, Sarah, editor. Innovative Impressions: Prints by Cassatt, Degas, and Pissarro
Sean DeLouche

Silverman, Willa Z. Henri Vever: champion de l’Art nouveau
Melanie Hawthorne
THE ENLIGHTENMENT MEETS ROMANTICISM

Burnand, Léonard, Stéphanie Génand et Catriona Seth, éditeurs. Germaine de Staël et Benjamin Constant: l’esprit de liberté
Flavien Bertran de Balanda

Berthier, Philippe. Chateaubriand, chemin faisant
Philip Knee

Tholozany, Pauline de. L’École de la maladresse: de J.-J. Rousseau à J. J. Grandville
Lauren Ravalico

Mallia, Marilyn. Présence du roman gothique anglais dans les premiers romans de George Sand
Ying Wang
ILLUSTRIOUS INDIVIDUALS

Guermès, Sophie, and Brigitte Krulic, editors. Edgar Quinet, une conscience européenne
Erica Maria Cefalo

Berrong, Richard M. Pierre Loti
Caroline Ferraris-Besso

Reid, Martine. George Sand
Kathleen Hart